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| Delta E is the overall numerical colour distance between two samples, where a Delta E of 0 is a perfect match. Therefore the higher the Delta E, the further the two samples are from one another. |
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Colour Difference Measurement I - L*,a*,b* |
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| Once the position of the colour in the CIELab Colour Space is established, one can describe the difference between colours in a numerical and objective way. | ||
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Consider
the orange sample, 1. Let us assume the following CIELab coordinates: Sample 1: L* = 50 a* = 20 b* = 60 Sample 2: L* = 50 a* = -10 b* = 50 |
Colour
Difference:
Difference in Lightness: |
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In visual terms, we would
say that the difference between these colours is that sample 2 is
greener and less saturated than sample 1. 02 + (-30)2 + (-10)2 = √ 1000 = 31.6 So, again using the example above, DL* is 0, Da* is negative, so we say the sample is greener than the standard, and Db* is negative, so we say that the sample is bluer than the standard. Note that the sign of the colour difference value gives us important information about the direction of the change, whilst the number itself gives the magnitude of the difference |
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Colour Difference Measurement II - L,C,h |
| Using a* and
b* values enables us to calculate colour differences easily. We can use
the LCh system to calculate colour difference in a similar way, however,
due to the nature of the h value, we cannot simply subtract one h value
from another to get a difference in hue. Rather we must define a new
expression DH* from the equation for DE on the previous slide. DE = √ (DL*)2 + (Da*)2 + (Db*)2 DH* = √ (DE*)2 - (DL*2 + DC*2) |
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Consider sample 1. With a hue angle of
around 45 degrees, the sample is an orange. Assuming a lightness value
of around 50 and a chroma of 70, we have a saturated, mid-shade orange. |
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In visual terms, we would say that the difference between these colours is that sample 2 is greener and less saturated than sample 1. Using the equations shown
above for colour difference, we can see that DL* = 0, i.e. no difference
in lightness, The direction of hue
differences is important and dependant on the colour of the standard.
For example, a positive (anti-clockwise) difference on a red means it is
yellower; the same positive difference on a blue would make it redder. |